Milly’s mother is a serial killer. Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school.
But Milly has secrets, and life at her new home becomes complicated. As her mother’s trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all.
When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother’s daughter.
Living in the foster home of a psychologist named Mike, one would think she would have the best care and treatment available to her, but early on I could tell that Mike had his own agenda, and he could also be clueless about his own family. His wife, Saskia, is remote and probably narcissistic, and his teenage daughter Phoebe is able to hide her feelings, her attitudes, and her behavior. Not just in a typical teenage way, but in a hurtful, pathological way.
Milly, on the other hand, proves to be adept at her own secret agenda, and as more time goes by, we see her behavior ratchet up to an extremely manipulative level as she hears her mother’s imaginary voice guiding her and reminding her that she has to make her own wishes come true.
What will Milly do to secure her future? How does Phoebe’s behavior backfire on her? And how, finally, does Milly have the last word? A chilling story, Good Me, Bad Me captured me and held me hostage for the duration. 5 stars.